Heard Music...Hidden Music

"Fire, Aire, Earth, Water in mysterious dances Move to thy Musick through all times and chances."

Peter Sterry (1613-1672), translating Boethius
"Heard music...hidden music" is a website devoted to the exploration of the language of music and the hidden music of nature by composer Andrew Baker. (Contact ajbakeresq@hotmail.com)
See also Andrew Baker's Youtube Channel and also find a selection of music on Sound Cloud

Requiem for Mignon

A curious and tragic tale, a piece of historical detective work. It may or may not have anything to do with Sir Edward Elgar, but it does involve Lord Berners and various celebrities of the 20s, 30s and 40s and touches the tarnished glitter of popular theatre and dance.

Symphony no. 30 "The Consolations of Music"

My first work for full size orchestra in ten years was completed on June 8th 2014.

Symphonies from Inchanted Ground

This is an in-depth exploration of "Spirit of Place" in which the forms of each small (twenty minute) symphony are derived from explorations and photographs of places which seem to have a particular archetypal quality.

Invisible Pilgrims

Did the spirit of Franciscanism survive in England after the Reformation? This essay focuses on how we "read the world". It's partly background research for "A Pilgrimage in Disguise" and forthcoming projects.

A Pilgrimage and Disguise

This is a project exploring the Spirit of Place. The music is composed to go with photographs taken on a variety of pilgrimages - some are sacred, though not necessarily conventionally so, other places may have a personal significance. Others may simply be odd.

The Ravello Dialogues

This a series of conversations on theological and philosphical themes, not too serious I hope, that lie in the background of many of my musical projects.

Thomas Anson and Shugborough

The full text of my study of Thomas Anson is here. This is a 200pp book, and still work in progress. I am happy to supply a PDF on request.

Out in the Air

A Pilgrimage and Disguise - 1

Symphony no. 14 - II